Unknown Feedback from Unknown Names, Unknown Sources and Unknown Authenticity

“Dada would be rolling in their grave, if they had one, seeing this blog that shares their name with other names. They might even be laughing, crying, smiling and dying all over again. Probably not; they would be indifferent.”

(from Dada)

“I love Dada!”

(From Dada Dada)

“This blog is like eating badly tasting junk food”

(From Dada Dada Dada)

“The writing on this blog is NOT Dada”

(From Dada Dada Dada Dada)

“These Dada Poems rock! (and break easily, like Dada)”

(From Dada Dada Dada Dada Dada)

“Dada is the audience and Dada is watching TV instead”

(From Dada Dada Dada Dada Dada Dada)

“It’s all nothing; it’s all Dada”

(From Dada Dada Dada Dada Dada Dada Dada)

Cause I ain't got no legs!

Or no brain, nice to meet you

Hi, my name is...

I forgot my name!

(Eminem, Rain Man)

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Stairs Is My Name

Stairs is my name Stairs is my name, you’ll climb Up and Down me, I layer up to transport and transform you To the top of whatever, Point A to Point B, less likely to slip like my friend Hill. I’m mostly hard, built full of concrete, sometimes I am wood, sometimes I am cracked, decomposing. I rhyme with chairs, not sure why I wrote this, Heaven awaits when you reach me! Stair ways, wells, and cases, however you need me, Stairs Is My Name, Take The First STEP And Embrace ME! Photo by Maxime Lebrun on Unsplash

André Breton

“The man who cannot visualize a horse galloping on a tomato is an idiot.” A man most associated with surrealism, Breton was also a Dadaist in his early years (whatever a Dadaist really means). The French writer was a champion of a shared Dada/Surrealist method called automatism where creative works are mostly produced spontaneously without constraints, planning, and overly conscious thoughts. After a brief medical career, where he took a major interest in mental illness, Breton moved to Paris where he would soon join the Dada movement and play a major part in its beginnings in France. Breton appeared in the first Dada performance in Paris in early 1920 which was the start of many provocations and controversies during that same year and in the years directly after. One of these performances included Breton appearing with a revolver tied to each of his temples. “I do not think that the nature of the finished product is more important than the choice between cake and cher...

Dada Is My Name

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